For this month’s blog post I wanted to focus on publishing
in the theatre industry. As far as this matter goes, most individual books
published in the theatre industry are sold as perusal scripts. Perusal scripts
are full in length but have not yet been licensed for a production. While the
end goal of these scripts are to be sold into performance productions,
licensing fees are taken for every single individual performance. At the end of
the day, however, most of scripts written are made in a performance-centered
type of mind-set. A new type of publishing for the theatre industry that has
come about in the past couple of years is the idea of publishing scripts on a
digital platform.
In Kimberly Lew’s article From Stage to Screen: Theatre Publishers Going Digital, she
discusses a new trend that has been coming about where publishers are offering
their scripts in an eBook format. Lew claims that the first theatrical publishing
company to do this was Original Works Publishing (OWP), where they offered many
of their titles on Kindle’s platform, as well as some acting editions. OWP
explained that in doing this, they cut down on production and distribution
costs and were able to put the scripts in their reader’s hands almost
immediately after an online purchase. Since the success of OWP’s eBook launch,
other theatre publishers have hopped on the bandwagon.
The idea of scripts being published digitally kind of goes
hand in hand with some of my previous posts about how the theatre industry is
slowly but surely progressing into this digital age. With the online streaming
of performances, and now scripts available by eBook, these are new ways for the
theatre world to stay relevant in an age where it seems to be falling behind.
It’s a great stepping-stone for the theatre world and it will hopefully help
create exposure for several playwrights that want to put their works out there.
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